In the working-class district of old Marseille, Rosa is the heart and soul of her community, nurse and matriarch of a large and close-knit family. She meets Henri and realizes that it is never too late to fulfill her dreams. The collapse of the buildings on rue d'Aubagne in Marseille occurred on November 5, 2018 at 9 am and resulted in the death of eight people. They were two dilapidated buildings in the city center. This tragedy opens the film; Robert Gwidigian has become the definitive director of our time. Like his English peer Kenneth Loach, Robert Gedigian represents the other side of the mirror; on the good French stage there are more of his works than ever; because they are not exactly what they call "feel good" although there are moments in his work that bring more joy to the viewer than modern hip films. his masterpieces " La Ville Est Tranquille" " Les Neiges Du Kilimanjaro" or the neglected "Une Histoire De Fous " is a sweet story that goes straight to the heart: a generous, shameless, compassionate film: “who should have two lives: one to take care of himself and the other to take care of his neighbors” Like many of the director’s films, “et la fête continue” is a miniature of “La ville est tranquille” I always thought that Julien Duvivier was Guidigian’s closest relative, especially “la belle équipe” “sous le ciel de Paris” and “la fête à Henriette” (whose “à l a kind of political remake) from her life: the faithful nurse – the scene when she comforts her black colleague. , in despair, because she did not hold the patient’s hand when he was dying, is admirable – she is also an activist, she has so many tasks at once that it becomes impossible to do them; despair approaches and flares up during the meeting of the list of candidates her son has found the woman of his life and conceived many children; what’s more, the father of the bride is also an activist which may seem melodramatic on paper. but Guidigvian avoids pathos and dramatization; A young man’s love after escaping from shame shows him that life can go on, although not according to his plans. Her dad (the wonderful Darousin, Guidigian’s favorite actor, often starred alongside Ascarida) will be the light that still shines in Rosa’s darkest night. Together they will fight against the “marchands de sommeil”; (dream merchants) who rent uninhabitable apartments at the scene, around the bust of Homer, where voices multiply until they become one. The heroine finally relaxes, realizing that the personal is as much as the political; which in turn makes his ;Aznavour classic more charming and effective."emmenez moi" -unlike most of his colleagues, Gwidigian uses the FRENCH songbook – it’s a transparent metaphor: beyond the harsh realities of life, happiness is not unattainable.
